{"id":401,"date":"2025-02-10T22:44:04","date_gmt":"2025-02-10T21:44:04","guid":{"rendered":"https:\/\/oor-rec.ch\/?p=401"},"modified":"2025-02-14T13:55:54","modified_gmt":"2025-02-14T12:55:54","slug":"sarah-hennies","status":"publish","type":"post","link":"https:\/\/oor-rec.ch\/en\/sarah-hennies\/","title":{"rendered":"Sarah Hennies"},"content":{"rendered":"\n<p>Sarah Hennies is a composer concerned with a variety of musical, sociopolitical, and psychological issues including queer &amp; trans identity, psychoacoustics, and the social and neurological conditions underlying creative thought. Her ground breaking audio-visual work Contralto (2017) explores transfeminine identity through the elements of \u201cvoice feminization\u201d therapy, featuring a cast of transgender women accompanied by a dense and varied musical score for string quartet and three percussionists. She is the recipient of a 2024 United States Artists Fellowship, a 2019 Foundation for Contemporary Arts Grants to Artists Award, and a participant in the 2024 Whitney Biennial. <a href=\"https:\/\/www.sarah-hennies.com\/\">More<\/a><\/p>\n\n\n\n<p><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Sarah Hennies is a composer concerned with a variety of musical, sociopolitical, and psychological issues including queer &amp; trans identity, psychoacoustics, and the social and neurological conditions underlying creative thought. Her ground breaking audio-visual work Contralto (2017) explores transfeminine identity through the elements of \u201cvoice feminization\u201d therapy, featuring a cast of transgender women accompanied by [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":403,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[3],"tags":[],"class_list":["post-401","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-people"],"acf":[],"jetpack_featured_media_url":"https:\/\/oor-rec.ch\/wp-content\/uploads\/2025\/02\/Diffraction-Works_Scorers7.jpg","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/oor-rec.ch\/en\/wp-json\/wp\/v2\/posts\/401","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/oor-rec.ch\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/oor-rec.ch\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/oor-rec.ch\/en\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/oor-rec.ch\/en\/wp-json\/wp\/v2\/comments?post=401"}],"version-history":[{"count":1,"href":"https:\/\/oor-rec.ch\/en\/wp-json\/wp\/v2\/posts\/401\/revisions"}],"predecessor-version":[{"id":402,"href":"https:\/\/oor-rec.ch\/en\/wp-json\/wp\/v2\/posts\/401\/revisions\/402"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/oor-rec.ch\/en\/wp-json\/wp\/v2\/media\/403"}],"wp:attachment":[{"href":"https:\/\/oor-rec.ch\/en\/wp-json\/wp\/v2\/media?parent=401"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/oor-rec.ch\/en\/wp-json\/wp\/v2\/categories?post=401"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/oor-rec.ch\/en\/wp-json\/wp\/v2\/tags?post=401"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}